forces

The impulsive action and the direct intervention through the materials, is the main content of this process of experimentation in wich the forms and the color are accumulated; the lines move and interlace randomly, moving away of the representation and giving rise structures that are maintained by themselves, beyond the meaning.
These compositions have as central object the drawing whose winding lines follow erratic trajectories persecuting to approach to organic forms, taking as reference the nature as generating of forms; these drawings are integrated to a pictorical composition as if they were integrated to his natural surroundings, more than a support for the images represents their environment. Submerged in their atmosphere, the abstract elements are pronounced with greater force, visualize as if they were at sight under the microscope.
Although in these works no exist speech or symbols can be seen as a metaphor of the integration of the human work with the natural surroundings.